Cartier-Bresson and Me: Part 7, Conclusion

May 10, 2018  •  Leave a Comment
Cartier-Bresson and Me: Part 7 MOMA and Beyond With all this personal history long behind me in May, 2010, I traveled to New York City to see a huge retrospective of Cartier-Bresson’s work at the Museum of Modern Art. Although I had ceased being a photographer almost 20 years prior, the chance to see the the master’s work again was irresistible....
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Cartier-Bresson and Me: Part 6

May 10, 2018  •  Leave a Comment
Cartier-Bresson and Me: Part 6 Re: The Christian Science Monitor The fiasco with failing utterly to publish my piece on Pavel Zajicek and The Plastic People and similar experiences convinced me that neither the timeliness of a story, nor the quality of my writing and photography mattered in finding opportunities to publish my journalism. Even whe...
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Cartier-Bresson and Me: Part 4

May 10, 2018  •  Leave a Comment
Cartier-Bresson and Me: Part 4 Cartier-Bresson’s great skill in knowing when to press the shutter was matched by his luck with launching himself in the era of the big picture magazines. Particularly after World War II his photographs appeared in the pages of Life (1948-1963), Paris Match (1949-1962), Saturday Evening Post (1948-1951), and Der Ster...
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Cartier-Bresson and Me: Part 5

May 10, 2018  •  Leave a Comment
Cartier-Bresson and Me: Part 5 Re: The Plastic People of the Universe I did some satisfying photojournalism, combining my photos with the copy I wrote myself, most of which went from editor to editor looking for a home. One story can serve as a case study to illustrate the obstacles I faced. In 1977 I went to Prague on official assignment for Ha...
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Cartier-Bresson and Me: Part 3

May 10, 2018  •  Leave a Comment
Cartier-Bresson and Me: Part 3 Cartier-Bresson’s aesthetic was well documented, most fully in the introduction to his magnum opus The Decisive Moment. There he explained that his art consisted of freezing the composition captured in the frame with a precise choice of the moment when the shutter is fired. He gave me the notion that the frame marker...
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